Brought on by some nostalgia and a great love for the song Lady (You Bring Me Up) by the Commodores, I bring you the Old School R&B Mix. I wanted post-Motown here, not funk, not entirely cool. It's some of the music I grew up with (I grew up with a lot of music), the cheestastic 70s/80s R&B that started with more horns (70s-era) and a post-disco beat, and moved into way more synth use. This is the type of music that is most often sampled in hip hop. As always, if you like this music, go buy it. The real versions are much better than what I can find to show you here:
1. Lady (You Bring Me Up) (The Commodores) - This is such a friggin happy song. The Commodores are that later 70s early 80s kind of group that used horns brilliantly.
2. September (Earth, Wind & Fire) - Can't have this kind of mix without E,W&F. Again with the horns. This song can sound more like muzak these days, but listen carefully, it's got a serious groove in there.
3. Get Down On It (Kool & the Gang) - Horns + Synth. Transition.
4. I Feel for You (Chaka Khan) - Welcome to the 1980s. Chaka Khan. Ch-Ch-Chaka Khan. You came a long way (from Rufus), baby.
5. Jungle Love (The Time) - O-wee-o-wee-oh! The closest I'll come to Prince on this list. Yes, I adore Prince, but he's in his own category. It wouldn't let me embed, but it's a good version, btw, worth going to the link.
6. Looking for a New Love (Jodi Wately) - Ah, synth bass. Synth horns. Synth drums. Together at last. Awesome. It's still a great song that had Fourby grooving. Don't You Want Me is also pretty darn synthy-cool.
7. Sensitivity (Ralph Tresvant)/If It Isn't Love (New Edition)/Let's Chill (Guy)/My, My, My (Johnny Gill)/Whip Appeal (Babyface) - These are pretty close to the same song - not in lyrics, exactly - but in feel. The Oh, Baby, Baby genre. Sensitivity is probably my favorite, but all I could find was some crazy remix. This is a trend, you can't get a normal mid-tempo Whitney Houston song without some crazy attempt to make it cooler by adding a house beat - which doesn't help, it only seems sad.
8. You Mean the World to Me (Toni Braxton)/Someday (Mariah Carey)/You Give Good Love (Whitney Houston) - The girl version of the Oh, Baby, Baby song.
9. Casanova (Levert) - I played this song a gagillion times in high school. Spare on instrumentation, but some awesomely bad synth. And Leverts, which should count for something.
10. Wishing Well (Terence Trent D'Arby) - Definite synth, but he was this cool little subset of funky, rocky R&B. Wish he had had more hits.
11. Every Little Step (Bobby Brown) - What? WHAT?? Hey, I came thisclose to putting Tenderoni on here, people.
12. The Blues (Tony! Toni! Tone!) - Tough call between this one and Feels Good, but this had an original (without some new bass track) available. You start to hear better, smoother synthetic instrumentation here.
14. Magic (Robin Thicke) - the natural progression. As opposed to like John Legend, Janelle Monae, Cee Lo, or Beyonce, who are drawing more from the 60s and Prince/rock. Which is awesome, but not so much an outgrowth of 70s/80s R&B.






